For the Sake of Writing

“Virtually all things truly innovative are initially criticized by the souls of men aligned with the forces of control.”

Beyond the Soul’s Meridian November 27, 2023

Recently, I was criticized for writing for the sake of writing. That is a very truthful statement.  As I have no constituents, sponsors, or agendas to answer to.  Therefore, my work is done for the sake of doing it.

Over twenty years ago, the artist Gillian Welch wrote a song called “Everything is Free” for her 2001 album “The Revelator.”

In it she sings:

Everything is free now
That’s what they say
Everything I ever done
Gonna give it away

Someone hit the big score
They figured it out
That we’re gonna do it anyway
Even if it doesn’t pay…

The song was written at a time early in her career when peer to peer sharing of digital music files began to undercut the conventions of the music industry.   The song was originally written as a protest to the uncertain transitions that the business was bearing.  At the time, insidious changes seemed to be random and chaotic.  Yet, there was an agenda behind it as dominion over all aspects of entertainment is now wielded within the constructs of major media corporations married to tech driven platforms where independent voices are rarely if ever heard. As an artist, one can still make music if you are prepared to exist on the fringes or outside of the industry.      

A few years later, in 2004, the gospel soul group, “The Holmes Brothers” recorded the song on their album “Simple Truths.” Over time, the song became a standard classic in many genres and is now seeing a resurgence with newer artists.

Their gospel interpretation expanded the meaning of the song from the apprehensions of a young musician worried about the uncertainties of her professional career, to the average person feeling the constricting forces of globalization in all aspects of life.  Perhaps you did not notice this in 2001, or even in 2004, but virtually anyone with a pulse is now feeling an alien presence lording over us at some level.  It is only the true artist who has vision through the intelligence of their heart married to the mind.  An inspired artist can sense the reality of transitional situations decades before it happens by mining truth deep within the soul and manifesting it through their given medium of expression.

It is the simple truth that not only withstands the test of time but takes on a profound and greater meaning.  One could dare say prophetic.

Alien domination is now reaching all aspects of existence… medical, political, spiritual, vocational, educational, and economic.  Called Operation Lockstep, it is a war against our human life force, eternal truth, and cosmic wisdom, which are the ultimate sources of art and therefore genuine human expression.  This is a battle against all inspired souls who align themselves with their individuated freedom of expression. This is a war against human enlightenment and those brave souls who are the practitioners of it.

In all human history, there has never been a time so dire nor one that holds such great potential for significant transformation.  As the name Lockstep suggests, individual expression is not part of the dark agenda’s operation.  The only thing that can defeat their plan is human creativity and the freedom to manifest it.  This means that we must merge creative impulses fearlessly with our convictions, regardless of consequences.  To be successful at this, we must get past our shadow’s conditioned fear of penalties such as lack of recognition or financial gain.  As Gillian Welch says in her song, inspired humans are bound to express themselves truthfully regardless of circumstances, draconian actions, or dictates.

This insight is the key to Truth’s victory and a reference for our ascension. As Children of God, we cannot be anything less than who we are. It is now abundantly clear that creativity, true wealth, and security cannot exist within an enslaving realm of hierarchy that by convention only rewards human endeavors that are aligned with their obfuscating agendas designed to promote our own extinction.  In ancient times, priests and inquisitors were used to enforce draconian measures to keep the creative life force of humanity within the accepted boundaries of conditioned beliefs that only benefited our handlers.

Today is no different as there are still misogynistic souls that are compelled to criticize.  Fault finding and adherence to conditioned protocol is literally the essence of their nature as human creativity disturbs them at a deep subconscious level.  The entire cult of materialism and secular humanism operates at this low frequency through intellectual browbeating, confrontation, and hostility as a means of enforcing an anti-spirit, anti-human, anti-life agenda under the guise of “science.”  If you look hard enough, it is there where you will find the presence of an enslaving alien presence enshrouded within technologies that we will soon discover have otherworldly origins.

There are still many people living on the earth today that can only exist within the narrow paradigm of control. These souls are resonating discordantly with the new timeline of spiritual integration that is now before us.  This fact is blatantly obvious when an enlightened person engages in an “intellectual” discourse with them.  Their insights and attitudes are archaic and devoid of life, reflecting a time of enslaving doctrines that are unraveling within the reference of the new Aquarian Age.

This fact is revealed in the advice of not giving that which is sacred to dogs.  Except in this new timeline the fanatics are having a far more difficult time tearing us to pieces. This is because the environment of the New Age of transfiguration is no longer in support of their agenda. As the demons said to Jesus, right before he cast them out of the possessed men into a herd of swine,

What do you want from us Son of God? Have you come here to torture us before the appointed time?”—Matthew 8:30

Even when witnessing the torment of the fanatics, there is no satisfaction.  Just a sense of empty numbness by all their wasted potential. No one can “save” anyone from their own decisions. Everyone must be honored not only for their right to decide but also for the parts that they are playing in the ascension drama, for darkness has just as important of a role as the light.

We are now living in the appointed time where demons can no longer find fertile ground within enough genuine human souls to make a difference. Although there are still many automatons passing through life as legitimate human beings, their power to create is weak and not nearly enough to sustain the energies required to maintain the archons’ enslaving darkness.  That is why in the last number of Ages, hierarchical infrastructures emerged to control and capture human energy which our parasitic “rulers” were both in awe of, and at the same time deathly afraid of.

Gold stars, positions of power and influence, and even their worthless fiat currencies have lost control over the people that matter.  Hierarchy’s critics are seeing the basis of their power eroding as the entrenched alien presence that lords over them dwindles in the light of revelation. Perhaps we cannot predict all the details of how the path of ascension proceeds, but we can look at truly inspired artists as living examples of how to navigate and thrive outside of the waning influences of corporately driven agendas.

Virtually all things truly innovative are initially criticized by the souls of men aligned with the forces of control. The work of Gillian Welch and her life partner and collaborator, David Rawlings, were no exception.  At the beginning, Welch was criticized for not being from Appalachia and therefore disingenuous.  What the critics failed to hear (and therefore understand) was that a new life force was merging within an established genre that did not quite fit into the previously known paradigm.  It was the inspired truth of their work that sustained them, transfiguring their music into a more holistic expression of American roots music.  In doing so, they appealed to a newer generation of people who resonated in the power of their truth, aligned to theirs.

Although we may not be able to see the path that lies before us, as independent artists outside of the forces of control, we are always able to construct a career based upon honesty and truth.

If we can ignore the conventions of control and its critics by following the passions of our heart, we can ascend today, for there are enough souls who are recreating value by seeking their own passions that will be there as a community to support us.  As our perceptions of truth change, so does value. It is through this ascending resonance where we will not only survive but thrive outside of the aliens’ condition realm of influence and system of Pavlovian rewards that have lost any influential bearing upon our creative endeavors.

For only truly inspired ideas have value, which the artist, craftsman, teacher, philosopher, or healer are compelled to manifest as a testament to the truth.  In this endeavor, we create for the sake of creating.  For as God’s children we are creational beings.

In Good Faith,

Peace

Additional Sources

https://www.youtube.com/watch?v=X6duh6Ntcj4

https://www.youtube.com/watch?v=e4rgs57wTwQ

https://www.youtube.com/watch?v=jAIJfyAr6Rg

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